
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A late 16th-century manuscript illumination from the Harley Manuscripts, The Visitacion of Lancashire (1598) combines genealogical precision with decorative Renaissance detail — a striking relic for collectors of historic English manuscript art.
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The Visitacion of Lancashire (1598) is a page from the renowned Harley Manuscripts held at the British Library. Attributed to William Smith, this work belongs to the tradition of visitations — genealo...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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William Smith (1707–1764) was an English painter active in the 18th century. Working within the Baroque-to-Rococo traditions of British art, his paintings reflect refined portraiture and decorative compositions prized for their elegance and domestic appeal. Smith's works are of interest to collectors seeking period British paintings with restrained technique and historical charm.
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