
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
Jean-Auguste-Dominique Ingres’s The Vow of Louis XIII (1824) presents a solemn, idealized vision of devotion, uniting Neoclassical draftsmanship and religious sentiment. Housed at Montauban Cathedral, the work is prized for its clarity of line, luminous color and devotional impact.
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The Vow of Louis XIII (1824) by Jean-Auguste-Dominique Ingres stands at the intersection of Neoclassical rigor and a renewed interest in religious imagery that marked early 19th-century France. Create...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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French Neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867) trained under Jacques-Louis David and divided his career between Rome and Paris. Renowned for immaculate draftsmanship, idealized figures and elegant portraiture, Ingres shaped 19th‑century academic painting and remains prized by collectors for his decorative clarity and refined line.
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Explore more works by this artist on their profile.