
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
Georges Seurat’s Le Chahut (1889) captures the exuberance of the Parisian can‑can through meticulous Neo‑Impressionist technique. A rhythmic, scientifically informed composition that balances color theory and theatrical movement—an iconic example of Seurat’s pointillist vision.
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Le Chahut, completed in 1889 by Georges Seurat, stands as one of the defining works of Neo‑Impressionism and a bold exploration of rhythm, color and modern entertainment. Created at the height of Seur...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Georges Seurat was a French Neo-Impressionist painter (1859–1891) who developed pointillism — a systematic technique of tiny color touches that fuse optically at a distance. His structured compositions of modern urban and leisure scenes profoundly influenced later movements and remain prized for their intellectual rigor and decorative brilliance.
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