
Portrait of Ferdinand II of Portugal

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Museum-quality canvas & framed prints
Arrives by Mon, 29 Dec
A striking early work by Francisco Goya (1760), depicting the Virgin’s Assumption accompanied by Saint Íñigo. This devotional composition reveals Goya’s developing command of composition, light, and religious iconography—an evocative piece for collectors of Spanish Baroque-era art.
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Description
Assumption of the Virgin Mary and Saint Íñigo (1760) is an early devotional composition attributed to Francisco Goya, preserved in the Church of San Juan el Real. Created when Goya was still in his fo...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Francisco Goya (1746–1828) was a Spanish painter and printmaker whose wide-ranging work includes penetrating court portraits, satirical print series, and dark, visionary later paintings. A major figure bridging 18th-century academic practice and modern art, Goya profoundly influenced later generations for his psychological insight and formal innovation.
View Artist ProfileExplore more works by this artist on their profile.
Explore more works by this artist on their profile.
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