
Portrait of Ferdinand II of Portugal

Rated 4.9/5 By 100's Of Happy Customers
Museum-quality canvas & framed prints
Arrives by Mon, 29 Dec
A powerful depiction of the Crucifixion attributed to Anthony van Dyck, exemplifying Baroque drama, emotional intensity, and the artist’s mastery of color and light. Held in the collection of Tamworth Castle, this work invites contemplation of sacrifice and redemption.
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The Crucifixion is a devotional subject that has occupied artists for centuries; in the hands of Anthony van Dyck (1599–1641) it becomes an intimate study of suffering, grace and human emotion filtere...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Anthony van Dyck (1599–1641) was a Flemish Baroque painter renowned for his elegant, dignified court portraits. Trained in Antwerp and associated with Rubens, he refined a portrait style that became the model for European aristocratic image-making and influenced subsequent British portrait traditions.
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Explore more works by this artist on their profile.
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