
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Mon, 29 Dec
An elegant 1762 still life by William Smith, showcasing ripe peaches, plums and cobnuts rendered with careful composition and subtle light. A refined example of 18th‑century British fruit painting that appeals to collectors of decorative and historical works.
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Description
Still Life of Peaches, Plums and Cobnuts (1762) by William Smith is a measured and finely observed example of mid‑18th‑century British still life. Painted during a period when British artists were inc...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
William Smith (1707–1764) was an English painter active in the 18th century. Working within the Baroque-to-Rococo traditions of British art, his paintings reflect refined portraiture and decorative compositions prized for their elegance and domestic appeal. Smith's works are of interest to collectors seeking period British paintings with restrained technique and historical charm.
View Artist ProfileExplore more works by this artist on their profile.
Explore more works by this artist on their profile.
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