
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A commanding portrait by Anthony van Dyck of William Laud, Archbishop of Canterbury. Exemplifying Baroque court portraiture, it conveys gravitas and ceremonial dignity—an appealing piece for collectors of 17th‑century English history and Flemish portraiture.
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This portrait of William Laud (1573–1645) by Anthony van Dyck belongs to a distinguished lineage of 17th‑century court portraiture that melds Flemish painterly elegance with English ceremonial presenc...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Anthony van Dyck (1599–1641) was a Flemish Baroque painter renowned for his elegant, dignified court portraits. Trained in Antwerp and associated with Rubens, he refined a portrait style that became the model for European aristocratic image-making and influenced subsequent British portrait traditions.
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