
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A work by Jean-Auguste-Dominique Ingres (1844) from the Wadsworth Atheneum collection. Exemplifying Ingres’s refined draftsmanship and neoclassical restraint, this public-domain piece appeals to collectors and lovers of 19th-century academic art.
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This work, attributed to Jean-Auguste-Dominique Ingres and dated 1844, belongs to the collection of the Wadsworth Atheneum Museum of Art and is in the public domain. While the specific title of the pi...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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French Neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867) trained under Jacques-Louis David and divided his career between Rome and Paris. Renowned for immaculate draftsmanship, idealized figures and elegant portraiture, Ingres shaped 19th‑century academic painting and remains prized by collectors for his decorative clarity and refined line.
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