
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
Edgar Degas's 1888 composition captures an intimate, unguarded moment as a woman leaves the bath. Housed in the Kunstmuseum Solothurn (Fondation Dübi-Müller), the work exemplifies Degas's probing study of private modern life and the female figure.
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Edgar Degas created Beim Verlassen des Bades in 1888, during a period when his explorations of domestic and private scenes—especially bathers—had become central to his practice. While the exact medium...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Edgar Degas (1834–1917) was a French artist associated with Impressionism, celebrated for his incisive studies of modern life—especially dancers, theater scenes, and racetracks. Working in oil, pastel, print and sculpture, Degas combined academic draftsmanship with experimental techniques; his works are prized for their compositional daring and decorative appeal.
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