
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
Guido Reni’s luminous depiction of the Assumption combines classical grace and Baroque luminosity. Executed in oil on panel (1602), the Prado version presents elegant angels, musical instruments, and an ethereal ascent that epitomizes early-17th-century devotional painting.
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La Asunción y Coronación de la Virgen (1602) by Guido Reni is a masterful example of early Baroque religious painting that synthesizes classical poise with devotional intensity. Painted in oil on pane...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Guido Reni (1575–1642) was a Bolognese Baroque painter celebrated for idealized, luminous figures and refined devotional works. His classical grace and polished technique made him one of the leading painters from Bologna, influential in church decoration and private collections across Italy.
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