
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A tender 1639 oil on canvas by Anthony van Dyck, portraying the Christ Child and young St. John in an intimate kiss. Combining Baroque drama with delicate sentiment, this work exemplifies van Dyck’s refined color, graceful figures and devotional warmth.
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Anthony van Dyck’s The Infant Christ and St John the Baptist (1639) is a compact yet emotionally potent example of Baroque devotional painting. Executed in oil on canvas and now in the Royal Collectio...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Anthony van Dyck (1599–1641) was a Flemish Baroque painter renowned for his elegant, dignified court portraits. Trained in Antwerp and associated with Rubens, he refined a portrait style that became the model for European aristocratic image-making and influenced subsequent British portrait traditions.
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