
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
Anthony van Dyck’s 1630 portrait of Queen Henrietta Maria combines regal poise and painterly elegance. A hallmark of court portraiture, it captures Baroque refinement and the queen’s diplomatic presence—an enduring choice for collectors and enthusiasts.
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This portrait of Queen Henrietta Maria (1609–1669) by Anthony van Dyck, dated circa 1630, is an exemplary work of early 17th-century court portraiture. Van Dyck, a leading Flemish painter and a key fi...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Anthony van Dyck (1599–1641) was a Flemish Baroque painter renowned for his elegant, dignified court portraits. Trained in Antwerp and associated with Rubens, he refined a portrait style that became the model for European aristocratic image-making and influenced subsequent British portrait traditions.
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