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Henry Percy, Baron Percy of Alnwick (1605–1659) by Anthony Van Dyck

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Henry Percy, Baron Percy of Alnwick (1605–1659)

By Anthony Van Dyck, 1635

Museum-quality canvas & framed prints

Arrives by Tue, 30 Dec

FORMAT
SIZE
€54.00
28 × 36 cm · Museum-grade Fine Art Cotton Paper
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Archival inks, fade-resistant for 100+ years

A refined three-quarter portrait by Sir Anthony van Dyck (1635) capturing Henry Percy in a black slashed silk doublet. Van Dyck’s elegant pose, subtle lighting and textured brushwork convey aristocratic presence and 17th-century courtly style.


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Sir Anthony van Dyck’s portrait of Henry Percy, Baron Percy of Alnwick (1635) is a consummate example of Van Dyck’s mature English style: poised, refined and psychologically acute. Painted in oil on c...

portraitHenry Percy, Baron Percy of AlnwickHenry Percy, Baron Percy of AlnwickAnthony van Dyck17th-century portraitHenry PercyBaron Percy of Alnwick

Don't settle for throwaway posters.

Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.

The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

Most Posters
  • Thin coated paper
  • Shiny, reflective
  • Fades quickly
Easelhouse Prints
  • 330gsm 100% cotton
  • True matte finish
  • Archival & Acid-free
Rolled fine art paper showing thickness
330gsm Hot Press Paper

Cotton Rag

100% cotton fiber, museum-quality base. No optical brighteners.

Giclée Printing

12-color archival pigment inks for deep blacks and rich colors.

Matte Finish

Ultra-smooth surface absorbs light, preventing reflections.

Lifetime Quality

Acid-free paper resists yellowing and becoming brittle over decades.

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