
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A visionary plate by William Blake from 1827 that interprets Dante’s Purgatory with intense color and symbolic form. Combining literary drama and Romantic mysticism, it appeals to collectors of literary illustration and visionary Romantic art.
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William Blake’s Dante Purgatory I: Dante, Virgil, Cato (1827) belongs to the artist’s late-career engagement with Dante Alighieri’s Divine Comedy, a project that allowed Blake to merge his prophetic i...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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William Blake (1757–1827) was an English Romantic poet, painter and printmaker celebrated for his visionary illuminated prints and prophetic books. Combining text and image through innovative relief-etching techniques, Blake produced highly decorative, symbolic works that influenced later Romantic and Symbolist artists and remain sought after for their spiritual intensity and decorative power.
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