
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A vivid 1821 view of Bristol’s Redcliffe Street by James Johnson, offering a finely observed record of Georgian urban life. This topographical scene combines architectural precision and atmospheric detail, appealing to collectors of historical cityscapes and British antiquarian art.
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Description
Redcliffe Street, Bristol (1821) by James Johnson is a captivating early 19th-century cityscape that documents a working quarter of Bristol during the late Georgian/Regency period. While the medium is...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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James Johnson (1803–1834) was an English architectural draftsman, watercolorist and oil painter known for precise architectural studies and atmospheric townscapes. His work documents 19th-century British interiors and exteriors with decorative restraint, valued by collectors for its historic and aesthetic appeal.
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