
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A striking late-19th-century study by Henri de Toulouse-Lautrec (1884), 'Toulouse-Lautrec, de dos' emphasizes silhouette, posture, and economy of line — an intimate work that captures the artist’s early exploration of modern urban life and character.
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Description
“Toulouse-Lautrec, de dos” (1884) belongs to the formative period of Henri de Toulouse-Lautrec’s career, when he was developing the visual language that would make him one of the most distinctive obse...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Henri de Toulouse-Lautrec was a French Post-Impressionist painter and printmaker (1864–1901) famed for his images of Parisian nightlife, cabarets and performers. He elevated the poster and print as modern art, combining graphic design, sharp draftsmanship and sympathetic portraiture—qualities prized by collectors and decorators for their visual impact and historical cachet.
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