
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
Guido Reni’s 1615 oil on canvas depicts the biblical episode with Baroque drama and classical restraint. Rich in narrative tension and luminous color, this work exemplifies Reni’s graceful figures and refined chiaroscuro—ideal for collectors of Baroque religious painting.
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Description
Guido Reni’s Lot and His Daughters Leaving Sodom (1615) is a striking example of early 17th-century Italian Baroque painting, blending classical harmony with heightened theatricality. Painted in oil o...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Guido Reni (1575–1642) was a Bolognese Baroque painter celebrated for idealized, luminous figures and refined devotional works. His classical grace and polished technique made him one of the leading painters from Bologna, influential in church decoration and private collections across Italy.
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