
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Mon, 29 Dec
A distinguished 1634 three-figure family portrait by Sir Anthony van Dyck, capturing aristocratic presence, refined Baroque portraiture, and intimate domesticity—an elegant study in status, costume and familial identity from the National Trust collection at Petworth House.
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This three-figure family portrait by Sir Anthony van Dyck, dated circa 1633–1635, presents Algernon Percy, 10th Earl of Northumberland, his first wife Lady Anne Cecil (d.1637), and their daughter Lady...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Anthony van Dyck (1599–1641) was a Flemish Baroque painter renowned for his elegant, dignified court portraits. Trained in Antwerp and associated with Rubens, he refined a portrait style that became the model for European aristocratic image-making and influenced subsequent British portrait traditions.
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