
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Mon, 29 Dec
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Description
Tom Roberts' Slumbering Sea, Mentone (1887) captures sunlit surf and hush of the Victorian coast. A plein-air study in light and color, its subtle brushwork and tranquil atmosphere epitomize Australia...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Tom Roberts (1856–1931) was a leading Australian Impressionist and a central figure in the Heidelberg School. Celebrated for plein-air landscapes and scenes of rural life, Roberts helped create a distinctly Australian visual language; his sunlit compositions remain prized by collectors for their cultural importance and decorative appeal.
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