
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A refined late 18th-century portrait by Jacques-Louis David (1795). Exemplifying Neoclassical clarity and restrained elegance, the work captures the sitter’s presence with precise draftsmanship and sober palette—an intimate, historically resonant portrayal from the Louvre collection.
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Description
Catherine-Marie-Jeanne Tallard (1795) by Jacques-Louis David belongs to the pivotal period following the French Revolution when portraiture shifted from aristocratic display toward calm, civic-minded...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Jacques-Louis David (1748–1825) was a French Neoclassical painter celebrated for rigorous draftsmanship and monumental history paintings. His works—marked by classical composition and political resonance—shaped academic training and the visual language of public, civic art.
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