
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A striking 1620 portrait by Anthony van Dyck, capturing the presence and refinement of Anthony van Opstal in luminous oil on canvas. Exemplary of Flemish Baroque portraiture, it combines elegant brushwork, psychological insight, and courtly style.
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Anthony van Dyck painted Portrait of Anthony van Opstal in 1620, during a formative period of his career when he was establishing himself as one of the leading portraitists of the Flemish Baroque. Exe...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Anthony van Dyck (1599–1641) was a Flemish Baroque painter renowned for his elegant, dignified court portraits. Trained in Antwerp and associated with Rubens, he refined a portrait style that became the model for European aristocratic image-making and influenced subsequent British portrait traditions.
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