
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Mon, 29 Dec
William Blake’s 1820 A Destroying Deity presents a striking vision of apocalyptic force and metaphysical drama. This work exemplifies Blake’s visionary imagination and symbolic intensity, appealing to collectors drawn to Romantic mysticism and bold iconography.
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A Destroying Deity (1820) belongs to the later, visionary phase of William Blake’s career, when the artist-poet pursued intense personal mythology and prophetic imagery. Blake (1757–1827) worked acros...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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William Blake (1757–1827) was an English Romantic poet, painter and printmaker celebrated for his visionary illuminated prints and prophetic books. Combining text and image through innovative relief-etching techniques, Blake produced highly decorative, symbolic works that influenced later Romantic and Symbolist artists and remain sought after for their spiritual intensity and decorative power.
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Explore more works by this artist on their profile.
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