
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
An intimate study by Jean-Auguste-Dominique Ingres (1809), photographed as an étude and published by Henry Lapauze in 1911. This graceful reclining study exemplifies Ingres’ neoclassical line, sensuous draftsmanship, and devotion to idealized form.
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Description
La Dormeuse de Naples occupies a compelling place in the early career of Jean-Auguste-Dominique Ingres (1780–1867). Executed in 1809 as an étude or study, this image—known today through an archival ph...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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French Neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867) trained under Jacques-Louis David and divided his career between Rome and Paris. Renowned for immaculate draftsmanship, idealized figures and elegant portraiture, Ingres shaped 19th‑century academic painting and remains prized by collectors for his decorative clarity and refined line.
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