
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A richly observed floral study by Sir George Reid (1884), Roses presents a sensitive exploration of color, light and texture. This intimate work, held in the Aberdeen Archives, Gallery and Museums collection, appeals to collectors drawn to 19th-century British naturalism.
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Roses (1884) by Sir George Reid belongs to a long tradition of floral studies that allowed Victorian and late-19th-century artists to demonstrate painterly skill, sensitivity to color, and attentivene...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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George Reid (1841–1913) was a Scottish painter known for accomplished portraiture and refined technique. His sensitive likenesses and polished surfaces made his work prized by collectors and valued for decorative display in domestic and institutional interiors.
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