
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
Edvard Munch’s 1884 oil on cardboard captures a hushed urban moment at Olaf Ryes plass. Early work by the artist, its restrained palette and flattened perspective foreshadow his psychological, proto‑expressionist concerns—an evocative choice for collectors and admirers of Nordic modernism.
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Afternoon at Olaf Rye's Square (Ettermiddag på Olaf Ryes plass), painted in 1884 by Edvard Munch, belongs to the artist’s formative phase when he was exploring urban subject matter, mood, and the psyc...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Edvard Munch (1863–1944) was a Norwegian painter whose Symbolist and Expressionist works—marked by intense color, simplified form, and psychological themes—helped define modern art. He is celebrated for powerful imagery that explores love, anxiety, illness and mortality.
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Explore more works by this artist on their profile.
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