
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
Claude Monet’s The Museum at Le Havre (1873) captures a sunlit modern port with loose brushwork and shimmering atmosphere. A key early Impressionist view, it highlights Monet’s interest in light, industrial life, and fleeting urban scenes—ideal for collectors and students of Impressionism.
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The Museum at Le Havre (1873) by Claude Monet is an evocative example of the artist’s early engagement with modern coastal life and the nascent vocabulary of Impressionism. Painted in the years follow...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Claude Monet (1840–1926) was a French painter and a leading figure of Impressionism. He revolutionized landscape painting by studying light, atmosphere and color in repeated series, producing luminous works that remain highly prized for their decorative appeal and historical importance.
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Explore more works by this artist on their profile.
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