
Portrait of Ferdinand II of Portugal

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Museum-quality canvas & framed prints
Arrives by Sun, 28 Dec
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Description
A dignified posthumous portrait of Sir Nathaniel Lloyd (1669–1745) by Thomas Gibson, set with Trinity Hall in the background. This evocative 1750 work emphasizes legacy, institutional patronage, and 1...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
Thomas Gibson (1680–1751) was an English portrait painter active in London. Working in the restrained Baroque manner preferred by English patrons, he painted refined likenesses with clear modelling and elegant composition. His work is valued for its decorative qualities and historical charm, making his portraits appealing to collectors of 18th-century British art.
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