
Portrait of Ferdinand II of Portugal

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Museum-quality canvas & framed prints
Arrives by Mon, 29 Dec
A dramatic depiction of Saint George confronting the dragon by the anonymous Master of the Döbeln Altarpiece (1521). This Northern Renaissance work combines devotional narrative, bold composition, and vivid detail—an evocative addition for collectors and admirers of early 16th-century imagery.
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St George on Horseback, attributed to the Master of the Döbeln Altarpiece and dated 1521, presents the enduring iconography of Saint George and the Dragon through the lens of the late medieval-to-earl...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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An anonymous German Late Gothic painter known by the notname from an attributed Döbeln altarpiece. His work exemplifies regional devotional panel painting—clear narratives, ornate detail, and decorative surfaces—important to study of late medieval workshop practice and church furnishings.
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Explore more works by this artist on their profile.