
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A tender late-19th-century depiction by Mary Cassatt capturing intimate mother-and-child themes in Impressionist sensibilities. Soft color, quiet domesticity, and sensitive draftsmanship make this piece appealing to collectors and enthusiasts.
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Mary Cassatt’s Sleepy Thomas Sucking His Thumb (1893) exemplifies the artist’s lifelong interest in intimate domestic scenes and the psychology of early childhood. Working at the height of Impressioni...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Mary Cassatt (1844–1926) was an American painter and printmaker based mainly in France and closely associated with Impressionism. Renowned for sensitive, elegantly composed scenes of women and children and for her etchings and drypoints, she helped introduce Impressionist aesthetics to American collectors and advanced depictions of private life in modern art.
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