
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
Camille Pissarro’s The Bather (1895) captures a quiet, intimate moment with a luminous palette and sensitive handling of light—bridging Impressionist observation with late-career experiments in color and brushwork.
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Camille Pissarro painted The Bather in 1895, during a period when he was both consolidating his role as a founding figure of Impressionism and exploring new approaches to color and technique. By the m...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Camille Pissarro (1830–1903) was a Danish‑French Impressionist painter renowned for plein‑air landscapes, rural and urban scenes, and for his central role organizing and shaping the Impressionist movement. His observational approach and later experiments with broken color secure his importance in modern art.
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