
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
An early landscape by Camille Pissarro (1864), L’Etang de Montfoucault showcases the artist’s naturalistic touch and emerging Impressionist sensibility in oil on panel—an intimate, luminous study of rural French countryside now in the Skirball collection.
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Camille Pissarro’s L’Etang de Montfoucault (1864) is an intimate landscape rendered in oil on panel, measuring 33 × 49 cm, and held by the Skirball Cultural Center in Los Angeles. Painted in the mid-1...
Easelhouse canvases are built to feel solid and intentional: thick archival poly-cotton, real wood behind the fabric, and a deeper edge that gives the piece presence on the wall. It looks like something you chose carefully, not just something to fill a gap.
We print on calibrated giclée machines, then hand-stretch each canvas so the surface stays smooth and the corners are clean. The frame stays straight, the colour stays rich, and the piece looks as good up close as it does from across the room.

Premium archival-grade canvas material that resists fading and maintains structural integrity.
12-color archival pigment inks for deep blacks and rich colors that last for generations.
Meticulously stretched by hand over solid wooden bars for a clean, refined finish.
Advanced printing methods and archival materials ensure vibrant colors for generations.
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Camille Pissarro (1830–1903) was a Danish‑French Impressionist painter renowned for plein‑air landscapes, rural and urban scenes, and for his central role organizing and shaping the Impressionist movement. His observational approach and later experiments with broken color secure his importance in modern art.
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