
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Mon, 29 Dec
Artemisia Gentileschi’s 1615 Self-Portrait as a Female Martyr captures the artist’s dramatic Baroque sensibility and psychological intensity. Executed in oil on panel, the work combines tenebrist lighting and realistic detail to present a powerful, introspective image that appeals to collectors and admirers of early modern art.
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Description
Self-Portrait as a Female Martyr (1615) by Artemisia Gentileschi is a compact yet compelling example of early 17th-century Italian Baroque portraiture and self-representation. Painted in oil on panel,...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Artemisia Gentileschi (1593–1653) was an Italian Baroque painter renowned for powerful, dramatically lit narrative paintings that center strong female protagonists. Her technical mastery of chiaroscuro and psychologically vivid storytelling made her a landmark figure in Baroque art and a lasting influence on narrative painting.
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Explore more works by this artist on their profile.