
Portrait of Félicité Pradher
Collection
Museum-quality reproductions on 310gsm textured cotton rag paper.
Shop all prints by Daniel SaintArtistic Style
Style Evolution
Saint’s work remains rooted in the measured, academic-influenced provincial tradition: early pieces emphasize careful drawing, while mature works show refined handling of light and compositional economy suited to portraiture and domestic scenes in Normandy.
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Daniel Saint (1778-1847) was a French 19th-century painter whose refined provincial scenes and portraits recorded Normandy life with careful draftsmanship.
Learn about the life of Daniel Saint
Biography
Daniel Saint (1778-1847) was a French 19th-century painter whose refined provincial scenes and portraits recorded Normandy life with careful draftsmanship.
Daniel Saint was born on 12 January 1778 in Saint-LĂ´, France, where he later died on 23 May 1847. Little is widely published about his formal training or early teachers; what survives in the record establishes him as a regional French painter whose life and practice were closely tied to his native Normandy. The visual language he developed shows an attentive approach to draftsmanship and an interest in depicting local life and portraiture suited to provincial patrons.
Saint’s career unfolded during the first half of the 19th century, a period of shifting tastes from late 18th-century academic conventions toward Romantic and realist impulses across France. Although documentary detail about specific teachers or academies is scarce, his work reflects the careful line and compositional clarity valued in provincial practice of the era.
Most of Saint’s known activity is centered on Saint-Lô and the surrounding region. In these years he produced portraits and genre scenes intended for local collectors and civic clients, emphasizing clarity of figure, balanced composition, and an understated palette.
As an established regional artist, Saint consolidated a visual idiom that suited interior and domestic display. His mature work demonstrates an economy of means—measured brushwork, clear lighting, and an emphasis on character in portraiture.
Specific titles and museum holdings for Daniel Saint are not comprehensively recorded in the provided data. His significance rests in his role as a 19th-century provincial French painter whose works reflected local life, portraiture, and decorative qualities desirable to collectors interested in Normandy subjects and period interiors.
Saint’s technique prioritizes precise draftsmanship, controlled brushwork, and compositional clarity. Recurring subject matter in his surviving corpus includes portraits and scenes that capture domestic or civic life. His palette tends toward balanced, muted tones appropriate to interior settings and the sober elegance favored by provincial patrons.
While Daniel Saint is not widely documented in major Parisian salon histories, his work contributes to understanding regional art production in 19th-century France. Collectors and historians value artists like Saint for the way they document local costume, interiors, and social types outside metropolitan centers. His paintings help complete the picture of French visual culture beyond the capital.
Daniel Saint’s life appears closely linked to Saint-Lô, where he was born and died. Beyond these biographical anchors, detailed records of family, formal schooling, or major,
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