
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A late-period work by Jean-Auguste-Dominique Ingres (1861) in the Royal Collection of Belgium. Exemplifying Ingres’s neoclassical precision and elegant linearity, this piece appeals to collectors drawn to refined draftsmanship and European 19th-century masters.
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Jean-Auguste-Dominique Ingres (1780–1867) stands among the most defining figures of 19th‑century French art, and a work dated 1861 belongs to his late period when his lifelong devotion to line, clarit...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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French Neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867) trained under Jacques-Louis David and divided his career between Rome and Paris. Renowned for immaculate draftsmanship, idealized figures and elegant portraiture, Ingres shaped 19th‑century academic painting and remains prized by collectors for his decorative clarity and refined line.
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