
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A refined late work by Henri de Toulouse-Lautrec (1900), this portrait captures the sitter’s elegant poise with subtle line and muted color. Poised between Post-Impressionism and modern portraiture, it appeals to collectors for its psychological depth and decorative grace.
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Description
Madame Marthe X—Bordeaux (1900) by Henri de Toulouse-Lautrec is a late-period portrait that exemplifies the artist’s ability to balance observational fidelity with stylized refinement. Produced at the...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Henri de Toulouse-Lautrec was a French Post-Impressionist painter and printmaker (1864–1901) famed for his images of Parisian nightlife, cabarets and performers. He elevated the poster and print as modern art, combining graphic design, sharp draftsmanship and sympathetic portraiture—qualities prized by collectors and decorators for their visual impact and historical cachet.
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