
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A distinguished 19th-century portrait by George Patten, highlighting refined Victorian portraiture and sitter presence. An elegant study of character and style from the Manchester Art Gallery collection, appealing to collectors and lovers of British portraiture.
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Description
Edmund Buckley presents a refined example of 19th-century British portraiture attributed to George Patten, held in the Manchester Art Gallery collection. The work exemplifies the era’s preoccupation w...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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George Patten (1801–1865) was a British Victorian-era painter known for refined portraiture and decorative figure compositions. Working in the academic tradition, his polished technique and compositional clarity appeal to collectors seeking elegant 19th-century interiors.
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