
Wooded Landscape with a Woodcutter

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Museum-quality canvas & framed prints
Arrives by Tue, 30 Dec
A late 19th-century intimate study by Edgar Degas (1895), capturing a private, unidealized moment with bold composition and candid perspective. Celebrated for its immediacy, impressionistic handling, and appeal to collectors seeking iconic modern-life imagery.
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Description
Edgar Degas’s After a Bath: Woman Drying the Back of Her Neck (1895) belongs to the artist’s late-period investigations of candid domestic moments. Produced during a time when Degas increasingly turne...
Easelhouse prints are made to feel like real art, not disposable décor. Each piece is printed on museum-grade, 100% cotton hot press fine art paper (330gsm), so it has weight in the hand and a calm, matte surface on the wall.
The paper is thick, smooth, and completely non-glossy, which means no plastic shine, no harsh reflections, and colours that sit rich and even. It looks clean in simple frames, holds up to years of viewing, and still feels like a considered object when you're standing right in front of it.

100% cotton fiber, museum-quality base. No optical brighteners.
12-color archival pigment inks for deep blacks and rich colors.
Ultra-smooth surface absorbs light, preventing reflections.
Acid-free paper resists yellowing and becoming brittle over decades.
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Edgar Degas (1834–1917) was a French artist associated with Impressionism, celebrated for his incisive studies of modern life—especially dancers, theater scenes, and racetracks. Working in oil, pastel, print and sculpture, Degas combined academic draftsmanship with experimental techniques; his works are prized for their compositional daring and decorative appeal.
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